art-educating, music inamorata, fun-loving, occasional dance machine.

i am the secretary of the future. also a professional amateur.

this is me collecting.

arctic ice. #magic (Taken with instagram)

arctic ice. #magic (Taken with instagram)

Buhbye #yeg (Taken with Instagram at Edmonton International Airport (YEG))

Buhbye #yeg (Taken with Instagram at Edmonton International Airport (YEG))

Taken with instagram

Taken with instagram

The Ritournelle

A little record of musical things to which I return often.

#projectotherpeoplesmemories (Taken with instagram)

#projectotherpeoplesmemories (Taken with instagram)

Project Other People’s Memories underway… (Taken with instagram)

Project Other People’s Memories underway… (Taken with instagram)

Moonrise Kingdom

Did I dream you dreamed about me?

The various forms of education or ‘normalization’ imposed upon an individual consist in making him or her change points of subjectification, always moving towards a higher, nobler one in closer conformity with the supposed ideal. Then from the point of subjectification issues a subject of enunciation, as a function of a mental reality determined by that point. Then from the subject of enunciation issues a subject of the statement, in other words, a subject bound to statements in conformity with a dominant reality

— Gilles Deleuze, A Thousand Plateaus: Capitalism and Schizophrenia

bellswithin:

Marcel Duchamp, Après l’amour (After love, or, After Lovemaking). 1967-68. Etching on vellum, 50 x 24 cm (plate size), 50.5 cm x 32.5 cm (sheet size).

You are like me, you will die too, but not today: you, incommensurate, therefore the hours shine:

Reginald Shepherd, You, Therefore.

Marcel Duchamp, Après l’amour (After love, or, After Lovemaking). 1967-68. Etching on vellum, 50 x 24 cm (plate size), 50.5 cm x 32.5 cm (sheet size).

You are like me, you will die too, but not today:
you, incommensurate, therefore the hours shine:

Reginald Shepherd, You, Therefore.

Blade Runner Sketchbook

(Source: funeral-wreaths)